Tag: Revelation

In the sound of sheer silence (1 Kings 19; Narrative Lectionary for Pentecost 21)

On the passage about Elijah in 1 Ki 19 proposed by the Narrative Lectionary

In the passage which the Narrative Lectionary places before us this coming Sunday (from 1 Kings 19), we come to Elijah; one of the key prophetic figures whose deeds are recounted in the books of the Kings or whose words are collected within the Hebrew Scriptures under the catch-all second section of Nevi’im (Prophets).

Elijah, famous for being described as “a hairy man, with a leather belt around his waist” (2 Ki 1:8), was first introduced as Elijah the Tishbite, meaning he came from Tishbe in Gilead (1 Ki 17:1), a place whose precise location has occasioned some debate.  See

This initial portrayal of Elijah is nested within the accounts of that long period of time when Israel was ruled by kings, when prophets functioned as the conscience of the king and the voice of integrity within society. The distinctive dress of Elijah perhaps sets him apart from the court of the kings, where a more “civilized” dress code was presumably operative. Nevertheless, Elijah does have some engagement with the kings who ruled at the time he was active: Ahab, and then Ahaziah. Indeed, his distinctive dress points to his emboldened attitude towards those kings.

Elijah operated during the period when Ahab ruled Israel; he figures in various incidents throughout the remainder of 1 Kings—most famously, in the conflict with the prophets of Baal which came to a showdown on Mount Carmel (1 Ki 18), and then later in his confrontation with Ahab and his wife Jezebel, over the matter of Naboth’s vineyard (1 Ki 21). Like Jesus, Elijah was no shrinking violet!

Elijah first appears in the narrative of the various kings, seemingly out of nowhere, just after King Ahab had taken as his wife Jezebel, daughter of King Ethbaal of the Sidonians, who presumably influenced him to begin his worship of Baal (1 Ki 17:31–33). In the same way, at the end of his time of prophetic activity, Elijah simply disappears from sight soon after Kong Ahaziah died. Elijah hands over his role to his successor, Elisha, and as “a chariot of fire and horses of fire separated the two of them”, Elijah ascends in a whirlwind into heaven (2 Ki 2:1–15).

In the book we know as 1 Kings, the compiler of the Deuteronomic History (which stretches from Deuteronomy through Joshua and Judges to Samuel and then Kings) reports many incidents which attest to the courage and power of Elijah. The boldness of Elijah is evident in the confrontations that he has with various rulers; this is made clear, centuries later, to the followers of Jesus, in the earliest account of his life, when John the baptiser is depicted as a fiery desert preacher, calling for repentance, just as Elijah had called the kings to account (Mark 1:1–8). 

In a later account of Jesus, there is a clear inference connecting John with Elijah when Jesus notes, “Elijah is indeed coming and will restore all things; but I tell you that Elijah has already come, and they did not recognize him, but they did to him whatever they pleased” (Matt 17:11–12).

Then, in his sermon in Nazareth (Luke 4:16–30), Jesus refers to the first reported miracle of Elijah, when he provided a widow in Zarephath with food and oil that “did not fail”, even though the land was in drought (1 Ki 17:1–16). In subsequent incidents in 1 Kings, Elijah raises a dead son (17:17–24), directly confronts King Ahab with his sins (18:1–18), and famously stares down the prophets of Baal in a mountaintop showdown (18:19–40), leading to the breaking of the drought (18:41–46).

Elijah later condemns Ahab over his unjust seizure of the vineyard of Naboth (21:17–29) and then stands before Ahab’s son, King Ahaziah, to condemn him to death (2 Ki 1:2–16); a death “according to the words of of the Lord that Elijah had spoken” which is promptly reported (2 Ki 1:17). 

During the rule of Ahab, Elijah had also most famously heard the Lord God “not in the wind … not in the earthquake … not in the fire”—but rather in something else, which the NRSV renders as “the sound of sheer silence” (1 Ki 19:11–12). This incident is, as noted, the story set before us by the lectionary this coming Sunday. We need to ponder what is being conveyed through the symbols employed in this story. 

The three means by which God is said not to have appeared to Elijah reflect the very same means through which Moses, and the people of Israel, did experience the manifestation of the Lord God in their midst. When the escaping Israelites arrived at the Sea of Reeds, according to one version of this archetypal story, “the Lord God drove the sea back by a strong east wind all night, and turned the sea into dry land; and the waters were divided” (Exod 14:21). 

The people later celebrated the defeat of the Egyptians who were pursuing them: “you blew with your wind, the sea covered them; they sank like lead in the mighty waters” (Exod 15:10). The wind was a sign of God’s presence, and an agent of divine protection—indeed, it was the very same “wind from God” which “swept over the face of the waters” at the beginning of creation (Gen 1:2). But for Elijah, the Lord God was “not in the wind”.

Then, as they had travelled through the wilderness, the people were accompanied by a blazing fire, another sign of divine presence: “the Lord God went in front of them in a pillar of cloud by day, to lead them along the way, and in a pillar of fire by night, to give them light, so that they might travel by day and by night” (Exod 13:21). The fire signalled the divine presence.

Indeed, the very same flaming fire had been manifested to Moses when he was but a mere shepherd in Midian; “the angel of the Lord appeared to him in a flame of fire out of a bush; he looked, and the bush was blazing, yet it was not consumed” (Exod 3:2). What follows is the account of the call of Moses; God tells him “I will send you to Pharaoh to bring my people, the Israelites, out of Egypt” (Exod 3:10). The fire had been the assurance to Moses that it was the Lord God who was present.  But for Elijah, the Lord God was “not in the fire”.

The same element of fire was present when Moses and the people ultimately arrived at Mount Sinai in the wilderness of Sinai (Exod 19:1–2). “Mount Sinai”, so the account goes, “was wrapped in smoke, because the Lord had descended upon it in fire; the smoke went up like the smoke of a kiln, while the whole mountain shook violently” (Exod 19:18). Associated with this there was “thunder and lightning, as well as a thick cloud on the mountain, and a blast of a trumpet so loud that all the people who were in the camp trembled” (Exod 19:16). 

The scene at Sinai surely reflects the experience of an earthquake; the same phenomenon that prophets would later interpret as a sign of divine presence—indeed, divine judgement. “You will be visited by the Lord of hosts”, Isaiah subsequently tells the people of his time, “with thunder and earthquake and great noise, with whirlwind and tempest, and the flame of a devouring fire” (Isa 29:6). 

Still later, Zechariah describes how “the Mount of Olives shall be split in two from east to west by a very wide valley”, and instructs the people, “you shall flee as you fled from the earthquake in the days of King Uzziah of Judah; then the Lord my God will come, and all the holy ones with him” (Zech 14:4–5).

Nahum reflects on the jealous and avenging nature of God, declaring that “his way is in whirlwind and storm, and the clouds are the dust of his feet; he rebukes the sea and makes it dry, and he dries up all the rivers; the mountains quake before him, and the hills melt; the earth heaves before him, the world and all who live in it” (Nah 1:2–5). 

This dramatic motif continues on into later apocalyptic writings (Isa 64:1; 1 Esdras   4:36; 2 Esdras 16:12). The prophets and their apocalyptic heirs  knew clearly that this whole dramatic constellation of events revolving around an earthquake was a sign of divine presence.  But for Elijah, the Lord God was “not in the earthquake”. He was heard in something quite different.

What did Elijah hear? The Hebrew phrase in verse 12 is qol d’mamah daqqah. The King James Version translated this as “still small voice”.  More recent translations have provided variants on how these words might be translated. Alternatives that are found include “the sound of a low whisper” (ESV), “a gentle whisper” (NIV, NLT), “a soft whisper” (CSB), or “the sound of a gentle blowing” (NASB). These reflect variations on the kind of nuance that the KJV was offering. 

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However, the NRSV option of translating this phrase as “the sound of sheer silence” is more confronting: the presence of God is sensed in the absence of sound; any communication from the deity comes, not in audible sounds, but in the utter absence of any sound. It is a striking paradox!

And in the context of the developing story of 1 Kings, the paradox is strong. Earlier, the prophet had stood firm against the might of Baal, the foreign god whom Ahab and Jezebel had prioritized in the life of Israel (1 Ki 18:17–40). When “the four hundred and fifty prophets of Baal and the four hundred prophets of Asherah who eat at Jezebel’s table” gathered on Mount Carmel, they failed to obtain any response from their god, the god of storms. No matter how intensely the pleaded, all they heard was “no voice, no answer, no response” (18:29).

Elijah, by contrast, prays to the Lord God and the fire of his god fell on the sacrificial altar; it consumed “the burnt offering, the wood, the stones, and the dust, and even licked up the water that was in the trench” (18:38). The victory was absolute and complete; the storm god had been defeated. And yet, the deity who accomplished this would communicate most personally and intimately with his chosen prophet, “not in the wind … not in the earthquake … not in the fire”, but rather in “a sound of sheer silence” (19:11–12). What a deliciously powerful irony!

Elijah was his own, distinctive man, with his own, distinctive encounter with God. He experienced God in a way quite different from what was experienced by Moses and the people of Israel. He experienced God in a way that stood apart from his contemporaries who were priests and prophets of Baal. For that reason, whilst the Lord God of Elijah stands over and against the Baal of Ahab and Jezebel, so too Elijah stands alongside and apart from Moses as a different, but equally great, leader of the people.

There in heaven a door stood open (Rev 4)

In the book of Revelation, we are invited into a world of unfettered imagination, with evocative imagery, enticing language, and disturbing rhetoric. The whole book comes from words spoken by “one like the Son of Man, clothed with a long robe and with a golden sash across his chest” (Rev 1:13). Clearly, it is a vision of the glorified Jesus Christ, now conveying his “revelations” to John, who is instructed to write letters to seven churches (in chapters 2—3) and then to detail a series of amazing visions (in chapter 4 onwards to the end of the book). 

Each vision contains graphic descriptions and dramatic happenings. The first of these visions (proposed for this coming Sunday in the Narrative Lectionary Summer Series for this year) sets the scene set for what will later be revealed as a colossal, cosmic battle between good and evil. 

It opens with the striking claim that the door into heaven is opened (4:1). A disturbing and increasingly detailed dramatization of “what must take place after this” is revealed. The vision comes to a climax with an image of a slaughtered lamb (5:11–14), which  is the passage set in the Narrative Lectionary for a week after this coming Sunday.

Gazing into heaven, the author views a magnificent scene of worship. The importance of this scene is signalled by gleaming jewels and a shining rainbow, golden crowns and white robes, thrones and torches of fire, a sea of glass, grumbling thunder and flashes of lightning (4:3–6).

Thunder and lightning were characteristic of the God of Israel. In the book of Job, Elihu praises God, describing “the thunder of his voice and the rumbling that comes from his mouth … his voice roars; he thunders with his majestic voice” (Job 37:1–5). The psalmist sings of  “voice of the Lord over the waters” which thunders with powerful and is “full of majesty” as it “breaks the cedars of Lebanon … flashes forth flames of fire … shakes the wilderness of Kadesh … causes the oaks to whirl, and strips the forest bare” (Ps 29:3–9).

Thunder and lightning were associated with the foundational event of Israel, in the Exodus from Egypt. David sang of how the Lord God “thundered from heaven; sent out arrows, and scattered them—lightning, and routed them; then the channels of the sea were seen, the foundations of the world were laid bare at the rebuke of the Lord, at the blast of the breath of his nostrils” (2 Sam 22:14–16; Ps 18:13–19). The same graphic descriptions occur at Ps 77:16–20. 

In the book of Exodus, the scene at Mount Sinai includes thunder and lightning, a thick cloud, the blast of a trumpet, the shaking of the mountain and a spreading haze of smoke from the burning fire, an intensifying of the trumpet blast and peals of thunder  (Exod 19:16–19). This was the setting for Moses’ encounter with the Lord, when (according to the story passed on through the generations) the foundation of Torah was laid. The biblical nature of the imagery is very clear; these are all associated with an encounter with the divine.

Twenty-four elders and four six-winged creatures sing praises to “one seated on the throne” (4:2–11), and to a slaughtered lamb “with seven horns and seven eyes” (5:1–14). The hymns they sing in chapters 4, 5, and 7 appear to combine attributes of God which feature in scriptural songs of praise (holy, worthy, glory, honour, power, creator) as well as elements familiar from other New Testament texts in which early Christian thinking is developing. The twenty-four elders, sitting on thrones (4:4), along with the seven spirits (4:5; see also 1:4; 3:1) represent numbers of great symbolism throughout scripture, if we consider the twenty-four to comprise two lots of twelve.

The four living creatures each have a distinctive facial feature: “the first living creature like a lion, the second living creature like an ox, the third living creature with a face like a human face, and the fourth living creature like a flying eagle” (4:7). These four creatures allude to the chariot vision which opens the book of Ezekiel, in which the prophet sees four such creatures, with “the face of a human being, the face of a lion on the right side, the face of an ox on the left side, and the face of an eagle” (Ezek 4:10). These creatures emerge out of the midst of “

“a great cloud with brightness around it and fire flashing forth continually, and in the middle of the fire, something like gleaming amber” (Ezek 4:4), later revealed to be a magnificent chariot (Ezek 4:15–28), on which sat “something that seemed like a human form” (v.26).

Jesus is depicted in this book as “one like the Son of Man, clothed with a long robe and with a golden sash across his chest” (Rev 1:13). He is the supreme authority, the one who has risen from the dead and is at one with God (1:18). Yet there is a stark counterpoint running throughout the whole book. Jesus is the one who has been pierced (1:7); perhaps this evokes the piercing of Jesus’ side as he hung on the cross (John 19:34–37, citing this as a fulfillment of Zech 12:10).

In this initial vision, the Lord God Almighty is seated on the throne, surrounded by four six-winged creatures (4:2–11), perhaps reminiscent also of the six-winged seraphim seen by Isaiah in his vision in the temple (Isa 6:1–2). The one on the throne is holding a scroll with seven seals, which no one was able to open (5:1–4). These seals form the basis for the sequence of visions in 6:1—8:1, culminating in the vision of seven angels holding seven trumpets (8:2), yet another angel burning incense (8:3–4), and the inevitable “peals of thunder, rumblings, flashes of lightning, and an earthquake” (8:5). The markers of the divine are evident once more.

The author continues on, to introduce the one who has power to open the scroll: “the Lion of the tribe of Judah, the Root of David” (5:5)—phrases which clearly evoke the Davidic lineage of Jesus which the Gospel writers have so carefully claimed. (The same Davidic lineage is noted at 22:16.) Immediately, and despite the magnificent splendour of the scene being described, with its many dazzling jewels and angelic creatures, this “Lion” is described as a “Lamb standing as if it had been slaughtered” (5:6).

This paradoxical description of Jesus as “the Lamb that was slaughtered” recurs in hymns later in the book (5:9, 13; 13:8). His victory has been won, not through the power of force, but by submission to death. It seems that it is the fact that he has been slain which qualifies him to open the scroll. His power lies in his avoidance of violence, his submission to death.

This theme is the power that this strange book from a distant past offers us in the turmoil of the present. Our world today—as, indeed, the world time and time again over the centuries—is beset by conflict, aggression, and devastating warfare. Mass starvation and the killing of civilians in Gaza; a genocide, many now (rightly) say. Decades of terrorist activity and the exercise of military power in Israel, the West Bank, Gaza, and surrounding nations. An entrenched military battle on many fronts in the Ukraine, bogged down in the ego of a long-term tyrant. Ethnic violence and long-enduring civil warfare in the Sudan. Armed uprisings in the Congo. A civil war in Myanmar following the 2021 military coup. The list could go on to cover many–far too many–places.

The Geneva Academy of International Humanitarian Law (an institute of the University of Geneva) is monitoring more than 110 armed conflicts which are currently active across the globe. It’s a sad testimony to human greed for power, and to the seemingly endless capacity to inflict terrible damage on others.

The Way of the Lamb is a way that turns away from conflict as a means to resolve differences. In 1982, the National Assembly of my church (the Uniting Church in Australia) passed a resolution declaring “that God came in the crucified and risen Christ to make peace; that he calls all Christians to be peacemakers, to save life, to heal and to love their neighbours. The call of Christ to make peace is the norm, and the onus of proof rests on any who resort to military force as a means of solving international disputes.” 

It reiterated this affirmation some decades later, in 2003, when the Assembly further declared that “that the Church is committed to be a peacemaking body”. This is central to who we are as a faith community. Many other church denominations around the world have similar resolutions marking a similar commitment. Pope John XXIII had issued his encyclical “Pacem in Terris” in 1963. Yet wars snd conflicts have continued. More recently, Pope Francis issued a “Prayer for Peace” in which he invited the faithful to pray, “Renew our hearts and minds, so that the word which always brings us together will be “brother”, and our way of life will always be that of: Shalom, Peace, Salaam!”. Pope Leo XIV prayed for peace in the Middle East and in other conflicted areas. The church yearns for peace. Too many leaders perpetuate antagonism, foment conflict, engender wars.

We need to recapture the central element of the way of discipleship as a commitment to the way of peace, as we seek to follow Jesus in our contemporary world. This is the vision of Revelation. May it be that, as we hear again of the door in heaven standing open, and the vision of the “Lamb standing as if it had been slaughtered”, we recommit to praying for peace, living in a peaceable way, and writing to our political representatives urging them to withdraw support for any armed conflict (including the withdrawal of arms and financial support for those perpetrating aggression). 

Alpha and Omega, bright morning star, water of life: final images in Revelation (Easter 7C; Rev 22)

During the season of Easter this year, we have read and heard passages from Revelation, the dramatic and vivid last book of scripture. We have encountered a number of creatively striking images: a white-haired, fiery-eyed figure like the Son of Man, a slaughtered lamb upon a throne, a multitude of white-robed people singing praises, a new heaven and new earth, and a city descending from the heavens. An amazing list, drawn from a book with even more amazing images in other chapters.

This Sunday, as the final Sunday in the seven-week season of Easter, we hear a passage which contains three striking images within the closing declarations and blessings that end the book (Rev 22:12–21). To give the creators of the lectionary their due, they have chosen not to excise a verse with a rather difficult message from the passage proposed—as they are wont to do at other times when dealing with other difficult verses.

So we will hear this Sunday the statement by John, as he concludes his long series of images, that whilst those who “wash their robes” will be firmly included within the holy city that has descended to earth (22:14; see 21:2, 10–26), those who are “dogs and sorcerers and fornicators and murderers and idolaters, and everyone who loves and practices falsehood” will remain outside, debarred from entry (22:15; see 21:27). The holy city will remain as the place which has “the glory of God and a radiance like a very rare jewel, like jasper, clear as crystal” (21:11). It’s a vibrant picture to bring to a close this year’s season of Easter, as we celebrate the risen Jesus in our midst.

In the midst of this exultant final vision of the book, we also hear this dire warning to all who read this book: “if anyone takes away from the words of the book of this prophecy, God will take away that person’s share in the tree of life and in the holy city, which are described in this book” (22:19). They are evocative of the instruction to Daniel, that the words of that book “are to remain secret and sealed until the time of the end” (Dan 12:9).

The book of Revelation has included many gruesome scenes where punishment—and, indeed, torture—are envisaged. As each of seven seals are broken and seven angels each blow their trumpet in turn (8:6–11:19), repeated scenes of destruction and devastation unfold across the earth. After the fifth seal is broken, locusts are sent to inflict on those who do not bear the seal of God on their foreheads five months of torture “like the torture of a scorpion when it stings someone” (9:3–5). After the sixth seal, “a third of humankind was killed by the fire and smoke and sulfur coming out of [the] mouths” of the four angels rampaging across the earth on their horses (9:15–19).

In subsequent visions, because of the evil that has infiltrated the whole world in multiple manifestations, a great red dragon threatens to consume the child born to a pregnant woman (12:1–4); a beast with ten horns and seven heads wages war “over every tribe and people and language and nation” (13:1–10); ad a group of seven angels pours out the wrath of God on earth, sea, rivers, sun, the throne of the beast, the great river, and into the air (15:1, 16:1–21). 

These visions climax with the vision of “the great whore”, Babylon, and “the beast with seven heads and ten horns that carries her” (17:1–8), who gatherers up all the sins of the world, whose sins “are heaped high as heaven, and God has remembered her iniquities” (18:5). Judgement comes upon her as  “plagues will come in a single day—pestilence and mourning and famine—and she will be burned with fire” (18:8, celebrated in song from v.10 to v.24). 

Then, in due course, the beast and the false prophet “were thrown alive into the lake of fire that burns with sulfur” (19:20), and last of all, after a millennium has passed, “the devil who had deceived them was thrown into the lake of fire and sulfur, where the beast and the false prophet were, and they will be tormented day and night forever and ever” (20:10).

These scenes of judgement, plagues, punishments, and torture, come to dominate the whole book. Yet none of these scenes appear in the passages selected for inclusion in the lectionary. The only negative notes in the passages included in the lectionary relate to the description of the lamb as one who has been slaughtered, but who now sits triumphant on the throne (5:6–14). So it is somewhat striking that this final passage includes these particular  negative notes. 

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In association with the celebratory notes attached to his vision of this holy city—the river of the water of life, the dazzling jewels of the city, the eternally-shining light from God, the celebrations around the throne of God and of the Lamb—John also offers striking statements about the figure whom he first described at the start of his book, the one “coming with the clouds” (1:7) whose face “was like the sun shining with full force” (1:16). This imposing figure is the one who is yet “coming soon” (22:12, 20). 

Three striking images characterise him in these final verses. None of these images should come as a surprise; they have each appeared earlier in Revelation, and indeed they tap into imagery in other books of scripture, in both testaments.

ALPHA AND OMEGA

The first striking image is one that was sounded at the very start of the book, when John was testifying “to the word of God and to the testimony of Jesus Christ, even to all that he saw” (1:2). Included in that early testimony is the claim that “the one who is pierced” is “coming with the clouds; every eye will see him” (1:7). At this, God himself speaks: “‘I am the Alpha and the Omega’, says the Lord God, who is and who was and who is to come, the Almighty” (1:8). 

Then, in the second of the seven letters to be sent to the seven churches (2:1—3:22), this claim is adopted by the author of the letter, “one like the Son of Man, clothed with a long robe and with a golden sash across his chest” (1:13). This figure adopts the words spoken by the Lord God as he declares “these are the words of the first and the last, who was dead and came to life” (2:8). It is a clear reference to Jesus, already identified as “the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth”, the one who “loves us and freed us from our sins by his blood” (1:5–6).

The same claim recurs in the climactic closing vision of the book, when “the one who was seated on the throne” (21:5)—that is, the great white throne on which sat the judge of all humanity (20:11–16)—declared, “It is done! I am the Alpha and the Omega, the beginning and the end” (21:6). And then, after the vision concludes, the angelic figure seen by John reminds him, “I am the Alpha and the Omega, the first and the last, the beginning and the end” (Rev 22:13).

The words spoken by the Lord God, the one like a Son of Man, the judge on his throne, and his angelic messenger rekindle the image of God which had been described, centuries before, by the unnamed exilic prophet whose words are included as the second section of the book of Isaiah (Isa 40—55). “Who has performed and done this, calling the generations from the beginning?”, the prophet asks.”I, the Lord, am first, and will be with the last”, is the response (Isa 41:4). In a later oracle, the Lord God declares “I am the first and I am the last; besides me there is no god” (Isa 44:6); and still later, “Listen to me, O Jacob, and Israel, whom I called: I am He; I am the first, and I am the last” (Isa 48:12).

The significance of this claim is outlined in another prophecy: “Remember the former things of old; for I am God, and there is no other; I am God, and there is no one like me, declaring the end from the beginning and from ancient times things not yet done, saying, ‘My purpose shall stand, and I will fulfill my intention’” (Isa 46:8–10).

In the Revelation of John, these words are heard from the mouth of the one like a Son of Man, identified as Jesus (1:5; 22:16). Jesus is both Alpha and Omega, first and last; as the letter to the Hebrews declares in its idiosyncratic language, “without father, without mother, without genealogy, having neither beginning of days nor end of life, but resembling the Son of God, he remains a priest forever” (Heb 7:3).

BRIGHT MORNING STAR

A second striking image is that of the morning star, in the words of Jesus, “I am the root and the descendant of David, the bright morning star” (22:16). That image was first expressed early in this book, in one of the seven letters to the churches. In each of the seven letters included in this book, “those who conquer” are given a specific gift to signal their special status. To those in Thyatira, to signal the authority that is given to them “to rule [the nations] with an iron rod, as when clay pots are shattered”, the specific gift is “I will also give the morning star” (2:26–28).

The morning star is referenced in the book of Ecclesiasticus (Ben Sirach), in a poem which praises Simon son of Onias (high priest in the early C3rd BCE). After celebrating his work in repairing and fortifying the temple, the joy that he brought is described through a series of images: “How glorious he was, surrounded by the people, as he came out of the house of the curtain. Like the morning star among the clouds, like the full moon at the festal season; like the sun shining on the temple of the Most High, like the rainbow gleaming in splendid clouds” (Sirach 50:5–7, and continuing on for some verses). A similar use of the phrase appears in the second letter attributed to Peter, where “the prophetic message” is compared with “a lamp shining in a dark place, until the day dawns and the morning star rises in your hearts” (2 Pet 1:19).

It is the bright, dazzling quality of the star that rises early in the morning, before sunrise—the planet we know as Venus—that is in view here. We should note that there is no intention to allude to the words of Isaiah, who refers in one of his prophecies about the punishment that was imminent for the King of Babylon. The prophet warns, “Sheol beneath is stirred up to meet you when you come … you pomp is brought down to Sheol” (Isa 14:9, 11), before depicting this decline in poetic language: “How you are fallen from heaven, O Day Star, son of Dawn! How you are cut down to the ground, you who laid the nations low!” (Isa 14:12).

In the 17th century King James Version, “O Day Star” is rendered as Lucifer—since that is how “light-bringer” is expressed in Latin. This was the term used in the Vulgate, a late-4th century Latin translation of the Bible. This verse has been picked up in later theological developments and applied to the figure of the devil; it is probably also influenced by words attributed to Jesus in Luke 10:18, “I watched Satan fall from heaven like a flash of lightning”. 

However, this sense of the term does not relate at all to the way the imagery of “the morning star” appears in Revelation. In this book, the devil is depicted as “a great red dragon, with seven heads and ten horns, and seven diadems on his heads” (Rev 12:3; 20:2) who is “the deceiver of the whole world” (Rev 12:9) who is ultimately “thrown into the lake of fire and sulfur …[to be] tormented day and night forever and ever” (Rev 20:10).

WATER OF LIFE 

The third striking image in this final chapter of Revelation is “the water of life”. John had indicated that this water would be gifted to those who are thirsty (Rev 21:6). This gift comes from “the Lamb at the centre of the throne” who is the shepherd of “a great multitude that no one could count, from every nation, from all tribes and peoples and languages, standing before the throne and before the Lamb, robed in white, with palm branches in their hands” (7:9). This shepherd, says John, “will guide them to springs of the water of life, and God will wipe away every tear from their eyes” (7:17).

The imagery appears returns as integral part of the final climactic vision of “the holy city Jerusalem coming down out of heaven from God” (21:10). John writes that the angel showing him the vision of this city “showed me the river of the water of life, bright as crystal, flowing from the throne of God and of the Lamb” (22:1). 

The river brings water to nourish life, just as another John (compiling a Gospel narrative) attributes to Jesus words in which he offers water as the basis for life: “those who drink of the water that I will give them will never be thirsty; the water that I will give will become in them a spring of water gushing up to eternal life” (John 4:14). These words evoke the reality that all human beings know, that “the necessities of life are water, bread, and clothing, and also a house to assure privacy” (Sirach 29:21; see a similar, but expanded, list at Sirach 39:26).

The scene at the end of Revelation evokes the vision described centuries earlier by the prophet Ezekiel, in the final chapter of his book. Ezekiel details the water flowing from the temple, the abundant trees growing beside the river, and the food sources for the people (Ezek 47:1–12). It is a wonderful ecologically vibrant scene, as is the vision in Revelation, where “on either side of the river is the tree of life with its twelve kinds of fruit, producing its fruit each month; and the leaves of the tree are for the healing of the nations” (Rev 22:2).

So the book ends with words of grace: “The Spirit and the bride say, ‘Come’; and let everyone who hears say, ‘Come’, and let everyone who is thirsty come. Let anyone who wishes take the water of life as a gift” (22:17). It’s a nice closing note.

The ruler of the Kings of the earth (Rev 1; The Reign of Christ, Pentecost 27B)

We are drawing to the end of the long “season after Pentecost” that began back in June and has run through half the year. This coming Sunday is celebrating The Festival of the Reign of Christ, as the climactic moment of this long “season of growth”, as it is often called. The Epistle reading proposed by the lectionary for this Sunday (Rev 1:4b—8) fits well with the theme of “the reign of Christ”, as it contains a greeting from the author which refers to “Jesus Christ, the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth” (1:5).

It is also fitting that, on the last Sunday in the church year, we hear from the last book in the New Testament, commonly called the Revelation of John. This book has some indications that it is to be understood as a letter. The opening section (1:1–20) includes an explicit identification of the author (1:4) and the location of his writing (1:9); a brief description of the situation of the recipients (1:9) along with a listing of the specific cities in which they lived (1:11); and a short blessing and doxology (1:4–5).

The book also contains the text of seven short letters, to the churches in these seven cities (2:1–3:22). The closing section (22:8–21) reiterates the role of the author (22:8) and concludes with a blessing formula (22:21). Each of these elements reflects traditional letter-writing style.

The author identifies himself as John (1:4, 9; 22:8) and notes that he was living on the island of Patmos (1:9); church tradition has equated him with John, the disciple of Jesus, as well as the author of the fourth Gospel and three letters. However, this book is strikingly different from the Gospel and the three letters.

Some have argued that the tone of the book might reflect the style of one of “the sons of Thunder”, as the disciple John was labelled (Mark 3:17); but such a generalisation is not grounded in specific evidence.

Both the style of Greek employed and the way that biblical imagery is deployed sets this book apart from the Gospel which bears John’s name; whilst that book is steeped in biblical imagery and language, it is done in a more subtle and sophisticated manner.

The recipients of the book, identified generically as “the seven churches that are in Asia” (1:4), are subsequently named one by one, by city (1:11). In the details of the seven letters which are addressed specifically to these seven churches (2:1– 3:22), we might imagine that we will find insight into the specific situation in these churches, which is being addressed in this book.

Yet, a careful reading of these particular letters indicates that they are written and delivered in response to a dramatic vision of a distinguished figure with an ominous presence, who instructs the author to write the letters to the angels of the various churches (1:9–20). This figure can well be understood to be the “ruler of the kings of the earth” already referred to (see 1:4)—Jesus, reigning supreme over all. 

Indeed, this opening section of the book is rich with imagery which describes the significance of Jesus. Many of the phrases used here to describe Jesus are later employed in connection with those who follow him. In the initial doxology of 1:4–6, four key phrases are used to describe Jesus. First, the author affirms the traditional view of the redemptive power of the blood which Jesus has shed (1:5); the same language appears in other New Testament books (Rom 3:25; 5:9; 1 Cor 11:25–27; Col 1:20; Eph 1:7; 2:13; Heb 9:12–14; 10:19; 13:20; 1 Pet 1:2, 19; 1 John 1:7; 5:6–8).

This affirmation, of Jesus as the lamb who is sacrificed in order to effect redemption, returns as a common refrain in Revelation (5:10; 7:14; 12:11; 14:3–4; 19:13). In the regulations for temple sacrifice, the purity of the sacrificial lamb was seen as essential (Num 28:3; Lev 1:10). Jesus is depicted in this book as the supreme authority, the one who has risen from the dead and is at one with God. Yet there is a stark counterpoint running throughout the whole book. Jesus is the one who has been pierced (1:7); perhaps this evokes the piercing of Jesus’ side as he hung on the cross (John 19:34–37, citing this as a fulfillment of Zech 12:10). Such power comes only through complete submission. 

Next comes the affirmation that he is “the firstborn of the dead” (1:5; see also 1:18; 2:8); resurrected believers will follow the same path he treads (20:6). This resonates with the Pauline language about Jesus as firstborn from the dead (Rom 8:29; Col 1:15, 18; and see 1 Cor 15:20, 23; and Heb 1:6).

A third affirmation is that he is “the faithful witness” who testifies to the purposes of God (1:5; 3:14); those who follow his way are given insight into God’s will and in turn, they become witnesses to Jesus (17:6).

Jesus Christ Pantocrator,
from a mosaic in the Hagia Sophia Church
(now a Mosque) in Istanbul

Finally, as the risen one, Jesus is “the ruler of the kings of the earth” (1:5) who exercises the sovereign powers of God over earthly authorities (6:15–17); ultimately these rulers will either be destroyed (19:17–21) or acknowledge his authority (21:22– 24). His supreme authority is conveyed by a later reference to the keys given to him (1:18; see Isa 22:20–22; Matt 16:19); these keys grant him power over Death and Hades (1:18; see also 6:8; 20:13–14). This element certainly resonates with the theme of The Reign of Christ, which originated when it was introduced by Pope Pius XI in 1925. 

The 1920s were a time when Fascist dictators were rising to power in Europe.  I have read that “the specific impetus for the Pope establishing this universal feast of the Church was the martyrdom of a Catholic priest, Blessed Miguel Pro, during the Mexican revolution”; see Today’s Catholic, 18 Nov 2014, at https://todayscatholic.org/christ-the-king/

The article continues, “The institution of this feast was, therefore, almost an act of defiance from the Church against all those who at that time were seeking to absolutize their own political ideologies, insisting boldly that no earthly power, no particular political system or military dictatorship is ever absolute. Rather, only God is eternal and only the Kingdom of God is an absolute value, which never fails.” The vision of Rev 1:4b—8 is certainly consistent with this perspective. And the distinctive vision of this book, concerning “the lamb who was slain” (5:1–14), offers a distinctive way by which this political power is exercised. See

“Worthy is the lamb that was slaughtered”: a paradoxical vision (Rev 5; Easter 3C)

The work as a whole  is characterised as being “words of prophecy” (1:3; 22:10, 18–19). The prophecy which is presented in this book is summarised as “what must soon take place” (1:1; 22:6). Both at the beginning and at the end of the book, the author declares that he is looking forward in time, reporting events that will soon take place. When, exactly, those events will take place has been the focus of investigation by numerous people of faith over many centuries—“the end of the world is nigh” has been proclaimed in every century since the first century, and always (as we know) without success. Any claims in this regard, today, should be dismissed as not at all correct.

In the ways that Revelation has been interpreted, and the problems associated with each of them, see 

Images drawn from the past, looking to the future, as a message for the present (Revelation; Easter, Year C)

So, enjoy reading and hearing this very brief excerpt from this most unusual biblical book at this time of the year!

Tear open the heavens and come down (Isaiah 64; Advent 1B)

As we start a new year in the church’s calendar, this coming Sunday we will enter into the season of Advent, and begin our preparations once more for Christmas—the coming of Jesus, Saviour, chosen one, and Lord (Luke 2:11). During Advent, the lectionary offers a selection of biblical passages designed to help us in our preparations, building to the climactic moment of Christmas Day, when we remember that “the Word became flesh and lived among us, and we have seen his glory, the glory as of a father’s only son, full of grace and truth” (John 1:14).

These scripture passages include a sequence of excerpts from the Hebrew Scriptures—largely from the book of Isaiah—which orient us to the saving work of God, experienced by faithful people in Israel through the ages. These scripture passages lead us along a path that brings us to the point when we can sense God’s work in the story of Jesus.

The book of Isaiah comprises three sections, which most scholars believe originated in three different periods during the history of Israel. The first section (chs. 1–39) is located in Judah in the eighth century BCE, as the Assyrians conquered the northern kingdom of Israel and attempted to gain control of the southern kingdom, but that effort failed. These events provide the context for the activity of Isaiah and the oracles include in chapters 1–39.

The second section of Isaiah (chs. 40–55) dates from the time of exile for the southern kingdom, after the people of Judah had been conquered by the Babylonians in 587 BCE; it offers words of hope as the people look to a return to the land. Then, the third section (chs. 56–66) is dated to a time when the exiles had returned to Judah, sometime after 520 BCE. By convention, the three parts are known as First Isaiah, Second Isaiah, and Third Isaiah.

For Advent 1, the lectionary offers us a passage from that final section, Third Isaiah, with words from the post-exilic prophet, “O that you would tear open the heavens and come down, so that the mountains would quake at your presence” (Isa 64:1). Echoing the apocalyptic words of Jesus in the Gospel passage for this Sunday (Mark 13), the prophet foreshadows the rending of the heavens that will occur when God steps into earthly life in Jesus of Nazareth.

Then from the very familiar passage that opens Second Isaiah, as the prophet looks to the end of the exile, on Advent 2 we hear the promise that “the Lord God comes with might … he will feed his flock like a shepherd; he will gather the lambs in his arms, and carry them in his bosom, and gently lead the mother sheep” (Isa 40:10–11). Words of comfort for the exiles; words which Christian interpreters see as a depiction of the shepherding role that Jesus undertakes.

On Advent 3 we return to the third section of Isaiah, to hear another set of very familiar words, which Luke tells us that Jesus appropriated (Luke 4:16–21) to describe his own mission in Israel: “the spirit of the Lord God is upon me, because the Lord has anointed me; he has sent me … to proclaim the year of the Lord’s favour” (Isa 61:1–2).

Then, on Advent 4, we move away from Isaiah to hear the narrative account in which the prophet Nathan tells King David that God has told him, “your house and your kingdom shall be made sure forever before me; your throne shall be established forever” (2 Sam 7:16). These are words which throughout the centuries since Jesus have been seen by Christians as applicable to his God-appointed role.

After this, for Christmas itself, we hear a selection of passages from Isaiah—one from each of the three sections of the book—which also have been seen by Christian interpreters to connect with the story of Jesus: “a child has been born for us, a son given to us; authority rests upon his shoulders; and he is named Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace” (Isa 9:6); “the Lord has proclaimed to the end of the earth: Say to daughter Zion, ‘See, your salvation comes; his reward is with him, and his recompense before him’” (Isa 62:11); and then, most strikingly, “all the ends of the earth shall see the salvation of our God” (Isa 52:10).

In the passage from Isaiah 64, the prophet is clear and direct. “Tear open the heavens” (v.1a), he implores God, shouting with the passionate intensity of one who fervently desires a clear sign of the presence of the divine. “Come down, so that the mountains would quake at your presence”, he cries (v.1b). After all the devastation that Israel has experienced (vv.6–7, 10–11), the psalmist yearns for God to act, just as God did “when you did awesome deeds that we did not expect, you came down, the mountains quaked at your presence” (v.3).

The various tribulations of the people of Israel, from their testings in the wilderness through to the Exile, when they had been “burned with fire … cut down” (v.16), are seen as multiple punishments heaped onto Israel. So the psalmist implores God, “do not be exceedingly angry, O Lord, and do not remember iniquity forever” (v.9), and pleads to God, “will you restrain yourself, O Lord? Will you keep silent, and punish us so severely?” (v.12).

The tone is much like the psalms where the writer pleads for God to act, for mercy to be shown. “O God, you have rejected us, broken our defenses; you have been angry; now restore us!” is the plea in one psalm (Ps 60:1). In another, the psalmist laments, “How long, O Lord? Will you be angry forever? Will your jealous wrath burn like fire?” (Ps 79:5); we hear similar words as the psalmist elsewhere asks, “Will you be angry with us forever? Will you prolong your anger to all generations?” (Ps 85:5).

Perhaps most vivid of all, and closest to the thoughts that the prophet declares, is this psalm: “Bow your heavens, O Lord, and come down; touch the mountains so that they smoke. Make the lightning flash and scatter them; send out your arrows and rout them. Stretch out your hand from on high; set me free and rescue me from the mighty waters, from the hand of aliens, whose mouths speak lies, and whose right hands are false.” (Ps 144:5–8)

The action of tearing is something that is dramatic and final. It damages permanently. The prophet Hosea describes this vividly in his account of how God plans to respond to Ephraim, when they “keep on sinning and make a cast image for themselves”; God’s intention is, “I will fall upon them like a bear robbed of her cubs, and will tear open the covering of their heart; there I will devour them like a lion, as a wild animal would mangle them” (Hos 13:8).

The language of “tearing” is used to describe the punishment that God will bring upon sinful Israel. Solomon is told, “since you have not kept my covenant and my statutes that I have commanded you, I will surely tear the kingdom from you and give it to your servant” (1 Ki 11:11). That threat is reflected also in psalms (Ps 52:5; 137:7–8) and prophecies (Jer 22:24–27; and cf. Amos 3:15). But the orientation of tearing in this prophecy is not about punishing Israel—rather, the psalmist, as we have seen, is imploring God to come, end the punishment of Israel, and “not remember iniquity forever” (Isa 64:9).

Tearing clothes in an act of mourning is reflected at times in scripture (2 Sam 3:31; Esther 4:1). But this seems far from the intent of this passage, which is focussed on seeking a sign of the presence of God, “so that the nations might tremble at your presence” (Isa 64:2) and so that God might “meet those who gladly do right, those who remember you in your ways” (Isa 64:5).

For Christian interpreters, however, when the prophet speaks of God tearing open the heavens in order that God might “come down” (from heaven, to earth), the clearest resonance lies elsewhere. Much is made of the connection with the moment when the curtain of the Temple was torn “from top to bottom” (Mark 15:38; Matt 27:51; Luke 23:45) at the death of Jesus. God dramatically tore apart the curtain that kept the priests from seeing the Holy of Holies, where God resided (Exod 26:33; Heb 9:3) and came down “from top to bottom”, from heaven to earth, in Jesus (cf. John 6:41, 51, 58; Phil 2:5–8).

And so a Christian appropriation of this passage may well appreciate the symbolism of God overcoming the division between heaven and earth in this way. And Christian interpreters may well go on to appropriate other phrases in this prophecy of Isa 64 as relating to Jesus, for in his life, they might affirm, God has done awesome deeds (v.3), has met “those who gladly do right” (v.5), who has reshaped sinners as the potter fashions the clay (v.8), who forgives iniquity (v.9), who acts as the only God ever known (v.4).

That said, we should caution that interpreting this passage and other ancient Israelite prophetic passages as predictive of Jesus is a strategy that we should undertake with care. Christians have a bad track record of taking Jewish texts and Christianising them, talking and writing and thinking about them as if they were always intended simply to be understood as Christian texts. But first of all, they were Jewish (or, to be precise, ancient Israelite) texts.

So the original setting of such passages needs always to be considered—the historical, social, political, cultural contexts in which they came into being, as well as the literary genre being used and the linguistic and literary conventions being deployed. Obliterating the original setting and acting as if the text was intended for a time many centuries later, is unfair and unethical.

Indeed, Christianising Old Testament texts can well become the first step in a dangerous process, as we firstly remove Judaism from our interpretive framework, and then treat the prophetic text as having nothing to do with Judaism, and everything to do with Christianity. This is the pathway that can lead to antisemitism—actively speaking and acting against Jews and Judaism. And having arrived at such a destination, we are reinforced in our pattern of ignoring and obliterating the earlier meanings in the text.

Texts (whether biblical or other literature) are always multivalent—that is, open to being interpreted in a number of ways, offering multiple ways of understanding them. That’s why we have sermons, and don’t just read the biblical text and then put it down. We keep it before our minds, and explore options for understanding and appropriating it. Ignoring the multiple layers of meaning inherent in biblical passages is a reductionist and self-centred way of undertaking interpretation. Reducing the prophetic texts to predictive declarations solely about Jesus is a poor interpretive process.

So let us tread with caution, this Advent, and beyond, as we hear, savour, and interpret texts from these ancient Israelite works—in which, nevertheless, we can indeed hear “the word of God” to us, in this day.

Scriptural resonances in Revelation 21–22 (Easter 6C)

The section of Revelation provided by the lectionary for this coming Sunday (21:10, 22–22:5) is the final vision from a long sequences of visions, in which the writer, carried “in the spirit” to “a great, high mountain”, sees “the holy city Jerusalem, coming down out of heaven from God” (22:10).

The top of a mountain is significant in biblical narratives; we only need to remember Moses atop Mount Sinai, receiving the commandments from God (Exod 19:1–25) and viewing the promised land, which he would not himself enter (Deut 34:1–4); and Jesus on the mountain in Galilee, teaching his disciples (Matt 5:1–7:28), being transfigured in the presence of Moses and Elijah (Matt 17:1–8), and giving his last instructions to his followers before departing from them (Matt 18:16–20).

Visions in Scripture

There are many accounts of visions being seen by people on earth, as God reveals guidance to them; noteworthy are the visions of Abraham (Gen 18:1–16), Moses (Exod 3:1–6), Balaam and his donkey (Num 22:22–35), Joshua (Josh 5:13–15), Eli (1 Sam 3:2–18), and the visions of various prophets (Isa 6:1–13; Ezek 2:1–10; Ezek 40:1–44:31; Dan 7:1–14; Dan 8:1–14; Amos 7:1–9; Amos 8:1–14; Zech chapters 1–6).

In early chapters of the Gospels, visions experienced by key figures shape the course of the story—Zechariah (Luke 1:8–20), Mary (Luke 1:26–38), shepherds (Luke 2:8–14), and Joseph (Matt 1:19–21; 2:13; 2:19–20). Paul experienced “visions and revelations of the Lord” (2 Cor 12:1–7a); according Luke’s account of the journey he took towards Damascus, it was the visions to both Ananias and to Paul himself (Acts 9:10–12) that brought Paul into the community of believers, in a life-transforming moment.

However, the most notable vision is surely that experienced by Peter, in Joppa: “he saw the heaven opened and something like a large sheet coming down, being lowered to the ground by its four corners. In it were all kinds of four-footed creatures and reptiles and birds of the air. Then he heard a voice saying, ‘Get up, Peter; kill and eat.’” (Acts 10:11–13). This vision not only changes Peter’s understanding of things; it sets forth the rationale for the fundamental nature of the movement founded by Jesus, as an inclusive community of Jews and Gentiles.

Visions in Revelation 19–22

The vision that the author of Revelation sees is part of an extended sequence of visions which are introduced by the same phrase that is used in Acts: “then I saw heaven opened” (19:11; cf. Acts 10:11). God’s opening of the heavens is recognised by the psalmist (Ps 78:23) as the means by which manna was provided in the wilderness; and perhaps this resonance is picked up in the Gospel accounts of the baptism of Jesus in the Jordan, when Jesus “saw the heavens torn apart and the Spirit descending like a dove on him” (Mark 1:10 and parallels). God tears open the heavens to bless and to commission.

More pertinent, however, is the statement by Isaiah, in an oracle describing incredible devastation wrought in divine judgement over Israel, when “the earth shall be utterly laid waste and utterly despoiled … the earth dries up and withers, the world languishes and withers; the heavens languish together with the earth [for] the earth lies polluted under its inhabitants” (Isa 24:3–4). The prophet declares that “the windows of heaven are opened, and the foundations of the earth tremble; the earth is utterly broken, the earth is torn asunder, the earth is violently shaken” Isa 24:18–19). This is a fearsome rending apart of the heavens!

So, too, in Revelation, where the opening of the heavens (19:1) reveals a series of seven visions. There is a vision of an intense, violent battle (19:11–21), a vision of the binding of a dragon and “the first resurrection” (20:1–6), and two visions of judgement (20:7–10, 11–15); followed by a vision of “a new heaven and a new earth” (21:1–8), a vision of “the holy city Jerusalem, coming down out of heaven from God” (21:9–27), and then the final vision of “the river of the water of life, flowing … through the middle of the street of the city” (22:1–5).

Scriptural resonances in the visions of Revelation 19–22

In the initial vision of a cataclysmic battle, “the beast and the kings of the earth”, along with their armies, are confronted by a fiery, blood-soaked rider on a white horse, with “the armies of heaven” (19:11–16). The description of this particular figure, as is so often the case on this book, draws from biblical imagery (eyes like a flame of fire, sharp sword, rod of iron, treading the winepress). Indeed, each of the visions that follow are themselves thoroughly shaped by biblical language and imagery. As the author looks forward, he draws heavily on the traditions and stories of his own faith, as expressed in the scrolls of Hebrew Scriptures with which he is intimately familiar.

An angel steps forward to issue the call to battle—yet his call is an invitation to “the great supper of God” (19:17). The image of a supper had been utilised by the prophet Isaiah, who saw the final gathering of the nations in terms of a lavish feast (Isa 25:6–10; see also 55:1–5). This time, however, the supper is a feast for cannibals—turning the imagery upside-down, in a manner reminiscent of a grisly oracle uttered by Ezekiel (Ezek 39:17–20).

The beast and his false prophet are thrown alive into a lake of burning sulphur, evoking the punishment visited upon Sodom and Gomorrah (Gen 19:24–25; Deut 29:23; 3 Macc 2:5; Luke 17:28–30). The armies of the kings of the earth are slain by the sword, and Satan is cast into a locked pit for one thousand years (19:17–20:6). This recalls an oracle delivered by Isaiah, in which he declared that God, in judgement, would imprison “the host of heaven and the kings of the earth” (Isa 24:21–22).

But for a thousand years? The Psalmist says that “a thousand years in [God’s] sight are like yesterday when it is past, or like a watch in the night” (Ps 90:4), and a late New Testament book affirms that “with the Lord one day is like a thousand years, and a thousand years are like one day” (2 Pet 3:8); however, we should note that the period of one thousand years is nowhere associated with divine punishment elsewhere in biblical texts.

After the release of Satan, one further battle takes place, against “the nations … Gog and Magog” (20:8). The account in Revelation 20 is brief, but the distinctive names (Gog and Magog) evoke a reference to an older battle against invaders from the north, described by Ezekiel (Ezek 38:1–39:20). This decisive encounter effected the definitive punishment of God and paved the way for the promised restoration of Israel to the land (Ezek 39:21–29) and the vision of a restored temple (Ezek 40:1–46:24). The same pattern is followed in Revelation 20. After the battle against Gog and Magog, the devil is also cast into the lake of burning sulphur, all the dead are judged, and Death itself is destroyed (20:7–15).

This is followed by the establishment of a new heaven and a new earth, a place devoid of death, bathed in light, sustained by the water of life, a city dazzling with jewels and home to “the throne of God and of the Lamb” (21:1–22:5). The vision appears closely related to the final visions reported at the end of the book of Isaiah (Isa 65:17; 66:22–23).

The imagery used in these verses relates particularly to various sections of the book of Isaiah. The bride prepared for her husband (21:2) recalls the scene of Isa 61:10; the wiping away of tears (21:4) evokes the banishing of sorrow (Isa 35:10). The gift of water from the spring of life (21:6) is suggestive of the way that water functions as an image of life (Isa 35:6–7; 41:18), and the prominent place of the river of the water of life in the new Jerusalem (22:1–2) evokes Isaiah’s link between “the new thing” and “rivers in the desert” (Isa 43:18–21).

Likewise, the description of the spectacular beauty of the city and the careful itemizing of its measurements (21:10–21) imitates the section of Ezekiel where the Temple of his vision is carefully described and numerous measurements are provided (Ezek 40–42). What is noteworthy, of course, is the pointed declaration that “I saw no temple in the city” (21:22) and the insistence that the divine presence will provide more than enough light for the whole city (21:23– 25; 22:5).

Despite the author’s lengthy and intricate entwining with scriptural sources, in this final vision he points beyond the past, to a new form of the future. Yet still, he reaches back before the temple, to the times when the shining light signaled the divine presence (Exod 3:2; 13:21–22; Ps 78:14). In similar fashion, perhaps the prominence of the tree of life (22:2) is intended to supplant the many trees beside the river in Ezekiel’s vision (Ezek 47:12) and provide a reminder of the single tree in the creation story (Gen 2:9).

The closing scenes this provide assurance of God’s providential care of the people of Israel, and perhaps even of the whole earth. Indeed, the familiar patterns of this life, as we know it—night and day, light and dark, even life and death—will be transcended in this new order of reality. Written for a people in the midst of oppressive persecution, this glorious vision and triumphant conclusion provides assurance, reinforcing their faith with hope and certainty.

So it is no wonder, then, that the prayer of those who first heard these visions proclaimed to them, is simply: “Come” (22:17, 20). As we know, that coming was not, as was hoped for, “soon” (22:7, 12, 20). How we now apply these visionary words to our own times is the challenge that rests with us!

See https://johntsquires.com/2022/05/04/with-regard-to-revelation-and-rev-14/

*****

This blog draws on material in JOURNEYING WITH JOHN: an exploration of the Johannine writings, by Elizabeth Raine and John Squires (self-published 2014)

Images drawn from the past, looking to the future, as a message for the present (Revelation; Easter, Year C)

During the season of Easter this year, we are following a short sequence of readings from the book of Revelation. The first such reading (Rev 1:4–8) was last Sunday, setting out the writer and the audience, as well as the key focus of the book: “Jesus Christ, the faithful witness, the firstborn of the dead, and the ruler of the kings of the earth” (1:5).

The book begins with a striking opening phrase—in Greek, it reads apokalypsis Iesou Christou (1:1). The first word in this phrase can be translated in two ways, resulting in the two most common titles for the book—“Revelation” or “Apocalypse”.

The word revelation is related to a Latin word which means to disclose or make known; the word apocalypse is the Greek term which means to uncover or expose. This word sums up the distinctive nature of the book right at the start—this is an exposé of the highest degree!

The content of this exposé is declared to be “the word of God and the testimony of Jesus Christ” (1:2, 9). The book ends with a reminder that Jesus sent his angel to John with “this testimony for the churches” (22:16). All of this is being done in a context of some urgency: “the time is near” (1:3), for Jesus is coming soon (1:7; 22:7, 12, 20; see also 2:16; 3:11; 22:6).

The book was written to be read aloud (1:3; 22:18); it seems to invite the people listening to the story to envisage what is being described by using their own imaginations. This is already evident in the way that the dramatic tone builds in the opening sections of the work. First, in the section of the book set for last Sunday, there is a hymn in praise of Jesus, reminiscent of poetic sections in other New Testament books as well as in Hebrew Scripture (1:5–8).

Next comes a description of the author and the process of creating the book (1:9–11). This was apparently initiated by “a loud voice like a trumpet” (1:10) —a voice which belonged to a distinguished figure with an ominous presence (1:12–16), whose appearance caused the writer to “fall at his feet as though dead” (1:17). The scene is thoroughly biblical, in keeping with the pattern of portentous announcements in Hebrew Scripture as well as in the early chapters of some Gospels. This will be the first of a number of visions, in which startling creatures declare unnerving messages in vividly dramatic ways.

The Revelation of John was not the first book of this kind ever written; in fact, Jewish writers had been producing literature like this for some centuries, recounting visions of the heavenly realm and reporting teachings which have been passed on by ancient figures from the heavens. In the Hebrew Scriptures, there are sections of the prophetic works which have the same kind of tone, as prophets report the visions they have seen and the oracles they have heard from the Lord.

Indeed, within other parts of the New Testament, there are indications of similar interests and ways of viewing the world—a view that is often characterized as “apocalyptic”. The figure of John the Baptist can best be appreciated as an apocalyptic figure, declaring that the Messiah has come and the kingdom is at hand (Mark 1:7–8; Matt 3:2).

Jesus continued the apocalyptic message of John by announcing that the kingdom of God was near (Mark 1:15; Matt 4:17) or, indeed, present (Luke 17:20). Many of the parables of Jesus and not a few of his teachings reflect an apocalyptic view of reality (for instance, Mark 13:14–37; Matt 24:45–25:46, Luke 17:20–37).

The letters of Paul contain clear pointers to the way that Paul viewed the world through an apocalyptic lens, in which the return of Jesus would take place soon and the kingdom of God would be ushered in (1 Thess 4:13–5:11; 1 Cor 7:29– 31, 15:20–28; Rom 8:18–25). The view that “the last days” were to come was also held by other writers (Heb 1:2; James 5:3; 2 Tim 2 Pet 3:1–5; Jude 17–19).

The apocalyptic worldview had been developing in Israel for some centuries. From their origins, prophets had delivered oracles in the name of the Lord; over time, they also began to incorporate accounts of visions in their messages (Isa 6; Jer 24; Ezek 1, 2–3, 8–11, 37, 40–44; Dan 2:19; Joel 2:28–32; Amos 7–9; Obad 1; Hab 2; Zech 1–8).

In the later stages of the prophetic movement in Israel, this form of communication becomes dominant. The last half of two prophetic books (Daniel 7–12; Zech 9–14) contain interrelated sequences of visions in which contemporary events, and perhaps also future events, appear to be depicted in symbolic form.

This trend continues on in a number of books written through the second and first centuries BCE, many of which still survive today. In this period we find various works which use heavenly messengers to reveal insights about mysteries and provide predictions about the future.

Most widely-known are 1 Enoch, 4 Ezra, and 2 Baruch; in addition, a number of works in the Dead Sea Scrolls are apocalyptic in nature. All these works contain literary features typical of apocalyptic works, as well as certain theological elements relating to the end of the ages.

As we read the book of Revelation, we can identify certain literary features which are quite characteristic of apocalyptic literature. The authority of the author is a key concern (1:9–10; 22:8–9) and the declaration is made that what is now being revealed is a mysterious secret (1:20; 10:7; 17:5, 7). This revelation comes direct from God through his authorized messenger (1:1–2, 11– 20; 22:8–10).

The warning not to change the text (22:18–19) is characteristic of apocalyptic, as is the regular reminder of the author’s expectation that the present era is coming to an end (2:26; 21:1, 4) and his description of a vision of the beginning of a new era (1:1; 7:9–17; 11:19; 21:1–22:7; 22:12, 20). The role of angels and visions reflects typical apocalyptic features.

Also typical of apocalyptic are the many coded depictions which are conveyed in numbers: four (4:6–8; 5:6, 14; 6:1–8; 7:1–3, 11; 9:14; 14:3; 15:7; 19:4; 21:16); ten (2:10; 12:3, 18; 17:3, 12–16); twelve (12:1; 21:12–14, 21; 22:2); twenty-four (4:4, 10; 11:16; 19:4); 144,000 (7:4–8; 14:1–4); and the intriguing 666 (13:18).

Of course, the number seven, which recurs in numerous places throughout the book, is very significant: there are seven letters, 1:11; seven golden lampstands, 1:12, 20; seven stars, 1:16, 20; 2:1; seven angels, 1:20; 3:1; 15:7; seven spirits, 1:4; 3:1; seven seals, 5:1; seven horns and eyes, 5:6; seven trumpets, 8:2; seven thunders, 10:3–4; seven diadems, 12:3; seven plagues, 15:1, 6; seven golden bowls, 15:7; 16:1; and seven heads, 17:3, 9–10.

Finally, there is the crucial appearance of Babylon as a coded symbol of Rome (17:5, 18). This is a code used also in Jewish apocalyptic works.

The reader (or listener) of this work is invited into a world of unfettered imagination, with evocative imagery, enticing language, and disturbing rhetoric. The book appears to be describing the events that will take place in the immediate future; these chapters set the scene set for what will later be revealed as a colossal, cosmic battle between good and evil.

However, the style of the work is never straightforward and the message is never declared in direct propositional form. Many of the scenes contain words, images, and ideas which are already familiar from the Hebrew Scriptures— although they appear to be arranged in inventive new ways. Making sense of this book requires an act of creative imagination alongside a process of careful exploration, investigation, and interpretation.

The visions that are included in this spectacularly dramatic book evoke biblical language and imagery in various ways, as the author envisages the future by drawing from the scriptures of the past and reworking the images and ideas found within them as a message for the present.

“Worthy is the lamb that was slaughtered”: a paradoxical vision (Rev 5; Easter 3C)

Revelation: a complex and intricate world of heavenly beings and exotic creatures

When we come to the end of the New Testament, we find that the final book bears the name of the apostle John. We know it as the book of the Revelation of John. This book, however, is dramatically different from the Gospel that also bears John’s name. It has its own utterly distinctive character and style.

This book has some indications that it is to be understood as a letter. The opening section (1:1–20) includes an explicit identification of the author (1:4) and the location of his writing (1:9); a brief description of the situation of the recipients (1:9) along with a listing of the specific cities in which they lived (1:11); and a short blessing and doxology (1:4–5).

The book also contains the text of seven short letters, to the churches in these seven cities (2:1–3:22). The closing section (22:8–21) reiterates the role of the author (22:8) and concludes with a blessing formula (22:21). Each of these elements reflects traditional letter-writing style.

The author identifies himself as John (1:4, 9; 22:8) and notes that he was living on the island of Patmos (1:9); church tradition has equated him with John, the disciple of Jesus, as well as the author of the fourth Gospel and three letters. However, this book is strikingly different from the Gospel and the three letters.

Some have argued that the tone of the book might reflect the style of one of “the Sons of Thunder”, as the disciple John was labelled (Mark 3:17); but such a generalisation is not grounded in specific evidence.

Both the style of Greek employed and the way that biblical imagery is deployed sets this book apart from the Gospel which bears John’s name; whilst that book is steeped in biblical imagery and language, it is done in a more subtle and sophisticated manner.

The issues addressed in each of the letters which are attributed to John are internal church matters, quite different from the broader view of society which is in view in Revelation. These letters require separate consideration from the dramatic scenes which follow.

The recipients of the book, identified generically as “the seven churches that are in Asia” (1:4), are then named one by one, by city (1:11).  In the details of the seven letters which are addressed specifically to these seven churches (2:1–3:22), we might imagine that we will find insight into the specific situation in these churches, which is being addressed in this book.

Yet, a careful reading of these particular letters indicates that they are written and delivered in response to a dramatic vision of a distinguished figure with an ominous presence, who instructs the author to write the letters to the angels of the various churches (1:9–20).

Furthermore, the content of a number of these letters introduces additional elements which are striking and unusual—seven stars held in a man’s hand, seven spirits of God, seven golden lampstands, white robes and a white stone, immoral behaviours and strange teachings which exhibit Satanic influences.

As we read on, we discover that this turns out to be just a little “sampler” of the far more complex and intricate world of heavenly beings and exotic creatures, who populate a series of increasingly bizarre and disturbing visions throughout the rest of the book. The whole book is much more than a letter, or a series of letters.

The opening and closing chapters give a number of clues in this regard. The work is characterised as being words of prophecy (1:3; 22:10, 18–19). The prophecy which is presented in this book is summarised as what must soon take place (1:1; 22:6). Both at the beginning and at the end of the book, the author declares that he is looking forward in time, reporting events that will soon occur.

However, this is not simply John’s view of what is to happen; what he writes, he maintains, has first been made known to him by an angel (1:1; 22:6, 8). So, the visions reported in chapters 4–21 are encircled by strong assertions of their significance and import.

As the book ends (22:6–21), a series of statements and affirmations reinforce the importance of what has been revealed in these visions.

First, the author repeats the explicit claim that this was shown to him by an angel (22:8–9). The instruction he is given, to make this known (“do not seal up the words”, 22:10), ensures that the message will become public—the author must write letters and report visions to those who will listen.

Then the author intensifies the moment by reporting the direct words of Jesus: “It is I, Jesus, who sent my angel to you” (22:16); the message has a clear heavenly origin.

Next comes a dire warning not to tamper with the words as revealed by these means (22:18–19); the style is that of a solemn oath. The work closes with a prayer which looks to the way of Jesus in the future, “Come, Lord Jesus” (22:20), and a final formulaic benediction of grace (22:11, evoking the opening blessing of 1:4).

Ways of interpreting this book

The book of Revelation has probably become the most misunderstood book of the New Testament—because of the enigmatic nature, and the dramatic power, of these visionary sections. There are numerous theories seeking to ‘explain’ the meaning of the visions and to ‘prove’ the identity of the various figures who appear in these visions.

There are many approaches that have been taken to explain the vivid imagery which depicts the future judgement of humanity, which has led to this also being one of the most misused books of the New Testament. It has been interpreted by groups of fervent believers throughout the centuries as evidence that the end of the world was at hand.

How, then, do we seek to “understand” this book? When ever we turn to scripture, are we looking for clear doctrinal statements? In which case, this book could be mined as a source for teachings about “the last days”.

Or do we hope to encounter stories which help us to understand what has transpired in history? In which case, we will look for evidence that pins down the content of this book and grounds it in real-life events.

Both approaches require us to develop an extensive system of interpretation for reading this book. This is not a simple or straightforward task.

An alternative (and often employed) way of reading this book is to consider that it is prophecy which provides a set of predictions about the future. Sometimes this is seen to relate to the times immediately in the future of the writer, in the late 1st century. Other interpreters claim that the book is pointing forward in time, to events that will take place beyond the time of the reader, in our own times (that is, the 21st century). 

Some people will want to read the book simply as literature in its own right; as a work of art, it has the power to generate ideas and responses without necessarily tying these down to what is “true” or “accurate”. Ideological critics might wish to engage in dialogue with the book in relation to the violence which runs throughout the visions. 

Some readers have considered this book to be an expression of patriarchal power, caught up in the masculine enterprise of solving disputes through coercion and violence. Others have undertaken a search for an alternative vision of peacemaking in the midst of human warfare, as the lamb who was slaughtered is the one who ultimately triumphs.

How do you come to this book? What is the lens, the perspective, that you employ, to read this dramatic and different book?

Whatever the way is that we seek to approach our reading of this book, it will influence the kind of understanding that results. Because the work does not lay down one simple narrative line; because it is so rich and intricate in its symbolism; because it places layer upon layer, image upon image, it will produce multiple readings with multiple appreciations. Such is the complex nature of interpreting biblical texts.